GARY FAIGIN
  • ARTIST
    • Meet the Artist
    • PAINTINGS >
      • TRAINS & TOWERS >
        • FINISHED PAINTINGS
        • SKETCH PAINTINGS
        • DRAWINGS ON PAPER
      • STILL LIFES - 1990 TO 2001
      • CITY OF BILLBOARDS
      • SHELTER
      • COMPRESSION FITTINGS
      • CONCENTRATED
      • MOVING PICTURES
      • IMAGINARY LANDSCAPES
      • PLEIN-AIR LANDSCAPES
      • FIGURES + PORTRAITS
    • DRAWINGS >
      • STILL LIFES
      • SELF PORTRAITS
      • FIGURES + PORTRAITS
    • MURAL OF CYCLES
    • CURRICULUM VITAE
    • PRESS + PUBLICATIONS
  • AUTHOR
    • Meet the Author
    • FAIGIN FACE BLOG
    • READER REVIEWS
    • BUY THE BOOK
  • EDUCATOR
    • Meet the Educator
    • GAGE ACADEMY >
      • ART TOURS
      • STILL LIFE ATELIER
      • ART WORKSHOPS
      • EVENING LECTURES
    • CG ARTISTS
  • SPEAKER
    • Meet the Speaker
  • CRITIC
    • MEET THE CRITIC
    • ARTIST INDEX
    • ART REVIEWS BLOG
  • CONTACT
  • ARTIST
    • Meet the Artist
    • PAINTINGS >
      • TRAINS & TOWERS >
        • FINISHED PAINTINGS
        • SKETCH PAINTINGS
        • DRAWINGS ON PAPER
      • STILL LIFES - 1990 TO 2001
      • CITY OF BILLBOARDS
      • SHELTER
      • COMPRESSION FITTINGS
      • CONCENTRATED
      • MOVING PICTURES
      • IMAGINARY LANDSCAPES
      • PLEIN-AIR LANDSCAPES
      • FIGURES + PORTRAITS
    • DRAWINGS >
      • STILL LIFES
      • SELF PORTRAITS
      • FIGURES + PORTRAITS
    • MURAL OF CYCLES
    • CURRICULUM VITAE
    • PRESS + PUBLICATIONS
  • AUTHOR
    • Meet the Author
    • FAIGIN FACE BLOG
    • READER REVIEWS
    • BUY THE BOOK
  • EDUCATOR
    • Meet the Educator
    • GAGE ACADEMY >
      • ART TOURS
      • STILL LIFE ATELIER
      • ART WORKSHOPS
      • EVENING LECTURES
    • CG ARTISTS
  • SPEAKER
    • Meet the Speaker
  • CRITIC
    • MEET THE CRITIC
    • ARTIST INDEX
    • ART REVIEWS BLOG
  • CONTACT

PAINTINGS: Still Lifes 1990 to 2001

Faigin spent a decade painting the images in this Still Life series, creating invented or manipulated settings with fruit and vessels.  Not all the still lifes are still, and not all are subject to the laws of gravity.  The mood ranges from pastoral to apocalyptic: nothing is quite as it seems.
Proudly powered by Weebly